Matting is one of the least understood, and in many cases most overwhelming aspect of picture framing. The reason is simple; with so many color and texture options, as well as the different quality levels, it is a challenge to make sense of it all. This article will cover each of these items so that the reader can frame with confidence. After reading it, the reader will be armed with the key pieces of information necessary to begin a custom picture framing project, including understanding mat options and the strengths and weaknesses of each.

What is a Mat?
A mat is colored or textured paperboard cut to the size of the picture frame. It is placed inside of a frame between the glazing and the artwork with a center cut-out in order to show the artwork. The basic components of a mat are a hard core which is covered on each side by colored or textured paper.

A mat serves two main purposes. First, it separates the artwork from the glass, thereby allowing air flow within the frame and consequently eliminating the risk of the artwork sticking to the glass over time. A second function of mats is to compliment the artwork by gently pulling the viewers eye into the artwork. Matting is most commonly available in Sizes of 32”x40”, with some colors available in 40” x 60” sizes.

Major Manufacturers
While there are several paper companies that sell picture frame grade matting in the United States, the two clear leaders are Crescent Cardboard^® and Nielsen Bainbridge^®. Most every frame in the U.S. and Canada will be made with matting from one of these two companies. For this reason, we will focus our analysis on the product offering of these two companies.

3 Preservation Grades
Matting is classified in 3 quality categories based upon how much acidity exists in the mat board fibers. Acidity, as measured by pH value, occurs naturally in wood pulp from which matting is made and acidy is not the framers friend because as it will yellow the artwork and make it more brittle as it “leaks” onto the artwork over time.

Unfortunately there is little consistency between manufactures and each grade is available through various trade names given by each of the companies. Having said that, most framers classify matting in 3 grades, each one defined by how much acidity they contain. The first category, which we will call “untreated core”, the second we will call “treated core” and the third “cotton”.

Grade 1: Untreated Acid Core

This is the most basic type of matting. The surface of the mat board is chemically treated to reduce acidity, but the core remains untreated.  This interior core is exposing when the mat is cut and the acid will leak from the interior, onto the artwork, causing it to yellow. This is the most basic type of matting and it is only good for the temporary framing ((1 year). 

Grade 2: Treated wood pulp interior

This product is made from wood pulp fiber that has been chemically treated to significantly reduce the acids that can degrade the matboard and artwork over time. These matboards offer a medium level protection and are the best in terms of protection for the amount they cost. This type of mating is suitable for items that are valuable, but not irreplaceable such as fine art prints, limited editions, valuable documents and non-digital photography (which can be reproduced at a click of a button).

 Grade 3: Cotton Based

As the name suggest, this product is not made from wood pulp at all. Instead, it is made from cotton, which is naturally almost entire acid free. While all manufactures claim that cotton is “naturally acid free”, this is not entirely true. Depending on the crop and growing climate and species, cotton has a PH value that ranges from 6.2 to 6.7 and is therefore slightly acidic. (7.00 would be purely acid free). Having said that, it is the only matting board that is guaranteed to be safe next to any artwork and comes with a lifetime warrant. The downside to cotton matboard is that it is very expensive and can cost twice as much as wood-pulp based product.

When beginning a framing project, one of the first decisions to be made is which grade of mating is most suitable. To make sense of the myriad of options, in the table below, we have listed the Bainbridge and Crescent mat trade names in terms of their grades.

What is a Ply?
Another important element of matting is how many plys it contains and unfortunately this term can be misleading as well.  In fact, a whole article could be written on this subject alone. In years past, matboard was made of a top, 2 core layers and a backing, or 4 parts and hence the word 4 plys. Today, most matboard is made with just 3 layers, notably a top, a single core and backing.  However, the word 4 plys has not gone away.

For practical purposes, a ply is simply a measure of thickness commonly used in the picture framing industry and 1 ply is (0.012 inches), or just a little under 1/64” and most mats come in 4 plys, or 1/4" inches and is suitable for most picture frame projects. About 30%2 of mats are offered in a thicker 6 plys (`1/4” inch) and even few are available in 8 plys. Thicker plys can be used when either rigidity is desired or to create more depth of the artwork.

Colors, Textures and Specialty Mats
Much more fun to talk about than grades and plys are colors and textures. Both Bainbridge and Crescent offer hundreds of each. Originally only available in white, today matting is available in every major shade of the color wheel. For example, Crescent offers Impact Colors® which is a collection of colors that match those of sports teams. A large portion of matting is some shade of white.  This is because traditionally white was used for picture framing and today, it is still commonly used. In fact, some art competitions mandate that white be used as a matting in order to allow for equal evaluation of all artwork.

In addition to colors, over the years it seems that every year more and more special textures become available. For example, in 2001 Bainbridge has an extensive suede 64 color line. These colors are soft and furry to the touch and add a unique dimension to a framing project. Crescent for its part has a full line of 47 Accents® that range from everything from reed cloth to burnished metals. Any local frame shop or online company should have samples of these products.

Which is Better?
At our retail store we are always asked which is better: Bainbridge or Crescent. Without having completed any scientific analysis regarding acidity, color steadfastness over time or thickness, we can only provide our own personal experience. On this level, we find that both Bainbridge and Crescent are about equal in terms of quality. Beyond that, each excels in different areas: for example Bainbridge offers more Ragmat colors, and is a little better priced on their Papermat grade. However, Crescent offers many more colors in the medium select category, and is more aggressive on the pricing of their higher end mats. At the end of the day, if you have the option between two companies we would recommend choosing the matting that best meets your framing needs, regardless of who manufactures it.

 

Article Notes / Appendixes:
1.    We counted 1,000 mat colors from the various 2009 collections: Bainbridge | Select (23 mats), Core Décor® (23 mats), Core Décor® (23 mats), Core Décor® (23 mats), Core Décor® (23 mats). Crescent | Core Décor® (23 mats) Core Décor® (23 mats) Core Décor® (23 mats) Core Décor® (23 mats) Core Décor® (23 mats) Core Décor® (23 mats) Core Décor® (23 mats)
2. The Definitieve Gude to Atists’s Mateirals, but Steven Saitzyk 1987

 

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